![]() You can, however, 'bully' the program into transposing an E-Major concert piece into Db Major by manually changing the transposition to be played in the staff properties dialogue. ![]() C is a sixth above E D is a seventh, and while a transposition of a diminished 7th would sound the same notes as that of a major sixth (in today's temperament), the difference in note name implies something completely different musically. ![]() In fact, I would be very surprised if they have ever been used at all.The program is doing the correct transposition to instrument pitch, which is a major sixth. They are certainly extremely rare in classical music. The descending melodic minor scales are the same as the natural minor.Īre they rarely or frequently used in classical music? G♭ melodic minor (ascending): G♭, A♭, B♭♭, C♭, D♭, E♭, F Furthermore, they are (on any 12-tone keyboard) enharmonically equivalent to B minor and F♯ minor, respectively, so there's really no point in using them.Ĭ♭ natural minor: C♭, D♭, E♭♭, F♭, G♭, A♭♭, B♭♭Ĭ♭ harmonic minor: C♭, D♭, E♭♭, F♭, G♭, A♭♭, B♭Ĭ♭ melodic minor (ascending): C♭, D♭, E♭♭, F♭, G♭, A♭, B♭ Theoretically, they can be said to exist, but since these keys are the relative minor keys of E♭♭ major and B♭♭ major, respectively, the key signatures involve double flats. Do the key signatures C-flat minor/G-flat minor exist?
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